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A story is how we understand ourselves, other people, and the world around us. It tells us how past events have shaped our lives to be what it is today. When we tell our stories, we give ourselves a chance to tell our truths and validate our experiences. We are all connected by the millions of stories we hear, tell, and live every day. By empowering ourselves through storytelling, we can empower others in our communities. It’s important to trust in the power of your voice. By doing this, you may inspire others around you to speak their truths as well.
INDEPENDENCE
We believe that by promoting critical thinking, everyone is empowered with the ability to independently analyze the context of media messages, think for themselves, and educate others to do the same.
Alone Atop the Hill by
In 1942 Alice Allison Dunnigan, a sharecropper's daughter from Kentucky, made her way to the nation's capitol and a career in journalism that eventually led her to the White House. With Alone atop the Hill, Carol McCabe Booker has condensed Dunnigan's 1974 self-published autobiography to appeal to a general audience and has added scholarly annotations that provide historical context. Dunnigan's dynamic story reveals her importance to the fields of journalism, women's history, and the civil rights movement and creates a compelling portrait of a ground-breaking American. Dunnigan recounts her formative years in rural Kentucky as she struggled for a living, telling bluntly and simply what life was like in a Border State in the first half of the twentieth century. Later she takes readers to Washington, D.C., where we see her rise from a typist during World War II to a reporter. Ultimately she would become the first black female reporter accredited to the White House; to travel with a U.S. president; credentialed by the House and Senate Press Galleries; accredited to the Department of State and the Supreme Court; voted into the White House Newswomen's Association and the Women's National Press Club; and recognized as a Washington sports reporter. A contemporary of Helen Thomas and a forerunner of Ethel Payne, Dunnigan travelled with President Truman on his coast-to-coast, whistle-stop tour; was the first reporter to query President Eisenhower about civil rights; and provided front-page coverage for more than one hundred black newspapers of virtually every race issue before the Congress, the federal courts, and the presidential administration. Here she provides an uninhibited, unembellished, and unvarnished look at the terrain, the players, and the politics in a rough-and-tumble national capital struggling to make its way through a nascent, post-war racial revolution.
The Autobiography of Malcolm X by
ONE OF TIME'S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement and a man whose work was never completed but whose message is timeless. It is essential reading for anyone who wants to understand America.
Dear World: Contemporary Uses of the Diary by
Where has the personal diary gone--and what forms has it taken--in the digital age? From the diary spaces of reality television and the how-to diary and its audience of self-helpers, in the emerging genre of the graphic diary or the online diaries of sex bloggers, in the published diaries of war correspondents or the urgent personal writing of Arab women under conflict, this book explores a new wave in diary publication and production. It also provides a fresh look at the diary as a contemporary form of autobiography. In Dear World, Kylie Cardell is sensitive to how changes to our notions of privacy and the personal--spurred by the central presence the Internet has come to occupy in our daily lives--impact how and why diaries are written, and for whom. She considers what these new uses of the diary tell us about the cultural politics of self-representation in a time of mass attention to (and anxiety about) the personal. Cardell sees the twenty-first-century diary as a vibrant and popular cultural practice as much as a literary form, one that plays a key role in mass-mediated notions of authenticity, subjectivity, and truth. Dear World provides much-needed new attention to the innovation, evolution, and persistence of a familiar yet complex autobiographical mode.
Representing Lives by
Representing Lives: Women and Auto/biography is an eclectic and comprehensive collection of essays, exploring contemporary issues and debates concerning women's auto-biographical representations from a range of disciplinary perspectives. With authoritative contributions from a number of prominent figures in the field of women's auto/biography, as well as innovative new voices, this volume offers a broad and contemporary lens on the issues and debates relevant to the act of representing women's lives. Drawing on a variety of theoretical frameworks and discussing theatre, literature, popular culture and women in history, these essays help to map out some of the new intellectual spaces inhabited by feminist scholarship in the 1990s.
Sun Chief by
First published in 1942,?Sun Chief?is the autobiography of Hopi Chief Don C. Talayesva and offers a unique insider view on Hopi society. In a new Foreword, Matthew Sakiestewa Gilbert situates the book within contemporary Hopi studies, exploring how scholars have used the book since its publication more than seventy years ago.
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